TO DOWNLOAD DIGITAL GO TO: ivanthetolerable.bandcamp.com/album/autodidact-ii-cassette-cruel-nature-records-2021

VIDEO EXCLUSIVE AND REVIEW FROM SUN-13 BLOG: sun-13.com/2021/10/26/ivan-the-tolerable-autodidact-ii-an-array-of-styles-and-influences-in-the-world-of-experimentation/?fbclid=IwAR1CbqY13VI4kfG7Xc2Ix18d1_W7K3Zy3i9EvKBCBI98AsolnKdI_dE3dqw

Words from Oli Heffernan on this album:

"This album started life as three separate recording sessions in July and August 2021 – work for a soundtrack to a series of films about psychogeography and North Yorkshire folklore, a remote improvised session with Christian Alderson from Unit Ama/Archipelago and a solo EP of arpeggiater repeat drones and freak-folk.

When I began mixing them I realised it all worked quite nicely as a single album, which due to it's length lends itself well to the cassette format.

I kind of a see it as the bridge between my last LP (White Tears, Library of The Occult Records 2021) and my next LP (The Long Year, Stolen Body Records, out in November) - it's the link between the two."

For Fans Of: Cluster / Harmonia / John Fahey / Alice Coltrane / Sun Ra / Spacemen 3 / Steve Reid / Faust / Ghost Box

"There’s something magnificent about the naming of Oli Heffernan’s project Ivan the Tolerable. It not only places a charming spin on history, neutralising and disarming the fearsome image of ‘the terrible’ with a superbly balanced piece of bathos, but it’s also so very quintessentially English. It’s the weak smile, the stiff upper lip… it’s not terrible. It’s not good either. It’s, you know, tolerable. No-one died. Or only a few people, it could be worse.

Autodidact II is the follow-up to 2018’s Autodidact, separated not only by three tears abut about a dozen releases. Heffernan is nothing if not prolific, and equally, nothing if not diverse.

This fifteen-track behemoth opens with the fifteen-minute ‘Turkish Golden Scissors (Part I) – there are two subsequent, shorter parts, situated strategically about the album. It’s a meandering progressive piece with pseudo-mystical Eastern leanings, a trippy, psychedelic jazz experience that’s utterly baked, man. There’s a trilling keyboard swirling and twirling around in the midst of the sonic sandstorm, and it’s like a collision between a deconstructed Doors track performed by The Necks.

‘Red Throated Diver’, which is centred around acoustic guitar playing a looping, cyclical motif in the style of Michael Gira, paired with some ominous and atmospheric brass and rippling synths, and clocking in at a fraction over two minutes, is a contrast in every way.

The album’s title is perhaps something of a clue to the form, presenting Heffernan as the self-taught experimentalist finding his way as he navigates the sounds in his head and working through ideas and concepts, and Autodiadact II is big on the expansive, rippling Krautrock noodling, with bubbling analogue synth sounds and trilling tones weaving over lower-end oscillations and grind and lay a gurgling, churning bedrock.

Notes chime into space amidst crackling samples and reverberations that connote space voyages – and ultimately being lost in space. It’s appropriate, as Autodidact II is not an album of focus, butt a work that wanders with or without direction in search of… well, what it’s in search if isn’t entirely clear. Not that it matters. The album started life as three separate recording sessions in July and August 2021 as work for a soundtrack to a series of films about psychogeography and North Yorkshire folklore, and as such, if the expanses of North Yorkshire, the moors and beyond, are buried in a sonic fog of otherness, the psychogeographical element reminds us that the end is not the end: it’s all about the journey. And Autodiadact II, while springing numerous surprises and drifting in and out of an array of varied sonic spaces, leads the listener on a unique, if uncertain journey." Aural Aggravation (auralaggravation.com/2021/10/18/ivan-the-tolerable-autodiadact-ii/?fbclid=IwAR2n-NmUs3eKODSAqvvvuccBE5ki9IXKVO9nferc1qSAhHc6B48Unwqdf_E)