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Ominous, dark, static guitar drones. No beat. All kinds of interesting shenanigans (sporadic cymbals, screeching sounds, disjointed twangy guitars, etc.). Pleasant chillout music that also keeps you on edge. For those who like Sunn's song Decay2 but can do without the chanting.
Favorite track: Of Bones & Head.
corpse tWitcHer provide ominous murk from deepest, darkest Gateshead. Tectonic bass rumbles, tortured shrieks, guttural howls and an overall atmosphere of something terribly wrong.
corpse tWitcHer is the often overlooked project of The Soundroom's chief audio engineer and sonic experimentalist MP Wood (known for his work with Bong, Nathalie Stern, Blown Out, Waheela; Mirrored Lips; Fret! and many more) and fellow noise merchant Paul Fellows, who also provided the album artwork.
“No release by a band called corpse tWitcHer was ever going to be pretty. But Bring Your Dead is next level.
The album contains only four tracks, the shortest of which, ‘Opening: The Bird’ is over eight minutes long and pitches some dark atmospherics with low, dank rumblings and mid-range scrapes that twist and taper into a soft fog of ambience with tempered chiming notes ringing out into the mist. It is but an opening, an extended introduction, which paves the way for the speaker-shredding, Sunn O)))-like devastation of ‘Of Bones & Head’ that lands the crushing low drone of guitars like a cement mixer on slow speed, blended with shrieking howl of feedback. This swirling mass of amorphous sound on sound surges and swells for a full eighteen minutes, and while its form is impossible to take a hold of as it shifts and twists, it’s a fully immersive experience. It’s possibly the closest thing to Earth 2 I’ve heard since, well, Earth 2. This is music that packs a suffocating density, and rattles the ribs as well. It vibrates the molecules while crushing the skull. It’s a painful joy, and a joyful pain.
‘A Thorough Necropsy’ grinds out a quarter of an hour of relentlessly heavy, percussion-free sludge that crawls from the speakers and wraps itself around not just your ears or body but your very soul, strangulating and suffocating with its tarry black mass. It’s in the territory whereby guitars melt into a grating morass of noise: struck chords don’t hit but instead billow into a cloud of noise so dense as to choke. There are some anguished, guttural vocals buried beneath it all, I think. It’s the sound of pain beyond words, a charred snarl from the underground. The tempest builds louder and darker around halfway through, and it’s around this point we slip off the face of the planet into another dimension. It’s bleak, but not like death or dying: this is transcendental and bleak and we’re floating in another sphere, buoyed by a sound denser than the Dead Sea.
The final cut, ‘Closing: Sutures’ sews it all up nicely with an expansive rumble of dark ambience that swirls and eddies and billows around in a formless morass of sonic fog. It rumbles around the bowels, the lungs, and the spleen. It sends shivers down the spine and a shudder over the skin. It resonates on a biological, physical level.
Bring Your Dead is heavy, intense, and unsettlingly dark, it doesn’t so much hit the mark as consume it in blackness.“
(Aural Aggravation)
supported by 43 fans who also own “Bring Your Dead”
As usual, Kirby manipulates various interwar records to fit a cavalcade of emotional states: blissful (B1, E8), tragic (D2, D5), frantic (E1, E6), and just plain horrifying (F3, G1, H1, K1). gjoe52
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Inspired by a battle that took place in contested land in Beirut, Mayssa Jallad creates beautifully haunted folk songs. Bandcamp New & Notable Mar 5, 2023
supported by 31 fans who also own “Bring Your Dead”
This album makes you feel like you're inside an old computer that is on it's last legs. Everything is glitchy, aggressive, and decaying around you. There are only a few moments where it feels something is still functioning and intact, only to be followed by more sounds of disrepair. Truly a special experience. icu8some2